BCM110
Introduction to Communication & Media
Introduction to Communication & Media
For my BCM313 narrative interview, I decided to chat with my mentor and work colleague from AUD’$, Matthew Craig. Born and raised in Melbourne, Matt and his brother Junor started AUD’$ in 2016 and it’s since become Australia’s number one…
For my BCM302 digital artefact (DA), I decided to venture away from my music journalism at Eject Music and AUD’$ that I completed earlier in my course. I’ve always wanted to have a clothing brand but it was never something…
MUGG SPORT James’ digital artefact Mugg Sport consists of interviewing and writing features on Australian athletes across a range of sports including rugby league, football and cricket. In his last year of university, Mugg Sport has allowed James to build…
In previous digital artefacts, I often tailored them to benefit my journalism career and work at AUD’$, Australia’s Hip-hop connect. As this is my final semester at university, I decided to do something different and focus on my clothing brand,…
“The self is made, not given” – Myerhoff, 1977. During the final weeks of BCM313, we’ve closely observed the choice of words from three guest speakers reflecting on their personal professional values. Our subject coordinator Kate describes Dakota Feirer’s interview with Layne Brown as a conversation “about…
Introduction For my BCM325 Digital Artefact, we were required to frame our topic with consideration to the future in the next 5, 10, 25 or 50 years. I wanted to create something of value for me following my graduation at…
In this final episode of my digital artefact, I want to take a look at the exciting new technology and trends arising in the Australian music industry. COVID-19 has had an undeniable and severe impact on the industry with a…
Week 6: Blade Runner 2049 In week six, we watched Blade Runner 2049, the sequel to the 1982 original, where K discovers a long-buried secret and tries to track down former Blade Runner, Rick Deckard. Blade Runner 2049 builds upon the…
“There is a danger of imagining the future in terms of the present and thereby of forming a closed circuit of representation.” – Tony Myers, The Postmodern Imaginary in William Gibson’s Neuromancer (2001). Heading into the final stages of the…